These resources will help you improve your PBP whether you are calling high school football or major college.


Keys to NFL-Caliber Football PBP

Learn the keys to NFL-caliber football play-by-play.

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STAA Play-by-Play Pyramid

Use the STAA Play-by-Play Pyramid to build your football broadcasts from the foundation up or use the pyramid as a self-critique guide.


Group Critique 34: November 2019

The video features two football tracks and the audio features football, basketball and an interview.

Among the things you’ll learn:

  • TV:
  • The key time to NOT be talking on each play.
  • The difference between play-by-play on radio and TV boiled down to two simple sentences.
  • Who is right when you disagree with the on-screen graphic about how many yards are needed for a first down.
  • Radio:
  • How to punch up key plays.
  • A common mistake among basketball broadcasters regarding last names.
  • How to reset an interview and why it’s important.

And much more!


Group Critique 33: October 2019

This month’s critique session features 10 clips, ranging from football and baseball play-by-play to sports talk show hosting. Love the volume and variety this month!

Here’s what you’ll learn:

  • The information that should booked every play in football.
  • A key for being sure you leave your analyst sufficient time to comment.
  • Why it’s important to describe foul balls as accurately as balls put into play, and some good examples of it.
  • The play-by-play voice’s role as a sales person for the broadcast’s advertisers and a strong example of it.
  • Two words a sports talk host should never say.
  • An easy way to find your “best voice.
  • The proper tense for play-by-play broadcasts.
  • How to turn your play-by-play narrative into a story that will keep listeners engaged.
  • How to prevent your favorite words and phrases going from cool to cliche.


Group Critique 32: September 2019

The audio critique features football, basketball and baseball, while the one video we review this month is soccer.

Here’s what you’ll learn:

  • What you must do before breaks to avoid sounding hurried after them.
  • What must be included before and after each football play.
  • Why it’s important to vary your energy level.
  • Two pieces of info that should almost always be given together.
  • When to incorporate edginess into your broadcast.
  • A fundamental that is mandatory in TV play-by-play.
  • The times of your telecast when you MUST watch the monitor.


Group Critique 29: June 2019

This month we critique football, basketball and for the first time ever, wrestling!

Here’s what you’ll learn:

  • The No. 1 way that insufficient preparation shows up in a broadcast.
  • Why it is important to get into commercial breaks quickly.
  • The point in a possession at which a basketball shot clock becomes relevant.
  • What it means to stay in the moment in a TV broadcast.
  • When to avoid sharing biographical and and historical information.


Group Critique 27: April 2019

Your April group critique includes an interview, plus play-by-play critiques of football and basketball.

Here’s what you’ll learn:

  • A helpful technique for asking good questions.
  • The interview equivalent of time and score.
  • Why it’s important to ask open-ended questions.
  • Right and wrong ways to give the score.
  • Various ways to convey energy and drama.
  • What basketball voices should be doing instead of narrating every pass.
  • Terrific examples of plots, subplots and character development.


Group Critique 25: February 2019

Love basketball? Then this is the group critique month for you: Jon is reviewing four clips, three basketball and one football.

Here’s what you’ll learn:

  • A good example of how you can make your listeners care about your broadcast.
  • A “small investment, big reward” technique for conveying emotions of players and coaches to your audience.
  • Advice for controlling tempo in your basketball broadcasts.
  • The play-by-play fundamental that is similar to a Reese’s Peanut Butter Cup.
  • Great examples of how you can hear a smile on radio and why it matters in your broadcasts.


Group Critique 23: December 2018

Ho ho hope you pick up some useful tips from this month’s group critique session. Radio critiques of basketball and football play-by-play plus a double helping of football TV play-by-play.

Here’s what you’ll learn:

  • When using the shot clock becomes a PBP crutch
  • How to tell if you’ve prepared well for your football broadcast
  • When to watch the field and when to watch the monitor


Group Critique 22: November 2018

Your November critique session includes football, baseball, volleyball and sports talk.

Here’s what you’ll learn:

  • Two techniques for instantly improving your voice quality, regardless of how good it might already be
  • Examples of great description for football broadcasters
  • How thinking of a football field as being sloped will help your broadcast
  • The five letter word to avoid to make your broadcasts more personal
  • The one thing you should do in every sports talk monologue segment


Group Critique 21: October 2018

It sounds like fall! This month’s radio group features plenty of football play-by-play critiques with a sprinkle of baseball. Meanwhile the TV play-by-play side digs into baseball and basketball.

What you’ll learn in the radio portion:

  • How your favorite words can quickly become cliche
  • Advice for using your voice to underscore drama
  • A habit you should develop for all scoring plays
  • The common three letter word to eliminate from your play-by-play vocabulary.


Group Critique 19: August 2018

The final Group Critique for the summer of 2018 features radio and TV baseball play-by-play, with a solitary football radio clip to get you ready for the upcoming season.

What you’ll learn:

  • Ideas for baseball description beyond game mechanics
  • Why top level employers might think you didn’t prep enough for a football broadcast
  • An example of consistently weaving storylines into baseball PBP
  • Suggestions for coaching up your TV analyst
  • Are you falling into the single-camera webcast trap?